Still Life by Paul DiBert (1930 2009) A trompe l'oeil still life painter, Paul DiBert hearkens back to the traditional values of his French Huguenot Pennsylvania ancestors with his paintings focused on values of light and dark and precise depictions of everyday objects. Early in his career he did a variety of subjects but ultimately focused primarily on still life because, with his introverted"> Still Life by Paul DiBert (1930 2009) A trompe l'oeil still life painter, Paul DiBert hearkens back to the traditional values of his French Huguenot Pennsylvania ancestors with his paintings focused on values of light and dark and precise depictions of everyday objects. Early in his career he did a variety of subjects but ultimately focused primarily on still life because, with his introverted"> Still Life by Paul DiBert (1930 2009) A trompe l'oeil still life painter, Paul DiBert hearkens back to the traditional values of his French Huguenot Pennsylvania ancestors with his paintings focused on values of light and dark and precise depictions of everyday objects. Early in his career he did a variety of subjects but ultimately focused primarily on still life because, with his introverted"> Paul DiBert (1930-2009) Trompe l'oeil still life, Utah, California Oil Painting Blackamoor This was exhibited in "de – klauspertl.com
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Paul DiBert (1930-2009) Trompe l'oeil still life, Utah, California Oil Painting Blackamoor This was exhibited in "de

SKU: 33803555161

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Description

This was exhibited in "de Erdely Drawings" at the San Pedro Municipal Art Gallery from

The porcelain teapot is in a ball form with a short spout

Large Bali hand-carved wood sculpture

Dimensions: 36" long x 17" deep x 30" high (Open: 36" square) Condition: Excellent age related condition

marks on the back

Paul DiBert (1930-2009) Trompe l'oeil still life, Utah, California Oil Painting Blackamoor This was exhibited in "dedata exclude css removal="true" style="display: none;"> Still Life by Paul DiBert (1930 2009) A trompe l'oeil still life painter, Paul DiBert hearkens back to the traditional values of his French Huguenot Pennsylvania ancestors with his paintings focused on values of light and dark and precise depictions of everyday objects. Early in his career he did a variety of subjects but ultimately focused primarily on still life because, with his introverted

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